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FBI
“Fake Bomb” Informant Becomes Latest
Character In American Horror Story
27 October 2018
Hello Folks,
One of the most defining traits of the American people unique to them among
any other people in the world is that they absolutely love to be scared out of
their wits!
In fact, the most popular movie at their theaters
this weekend is the horror flick “Halloween”,
and one of their most watched television programmes is “American
Horror Story”—that is an anthology
horror television series which each season is conceived as a self-contained
miniseries, following a different set of characters and settings, and a
storyline with its own “beginning, middle, and end”.
Trying to explain why these people love to be
scared so much, Clinical
Psychologist Glenn D. Walters, Ph.D., Associate Professor of Criminal Justice Kutztown University, identified
three primary factors that feed the attraction to horror entertainment:
Tension—which producers and directors create by including
elements of mystery, suspense, gore, terror and shock.
Relevance—horror films have to include elements that viewers
will identify with—this can mean universal relevance, which involves fear of
things like death and the unknown or cultural relevance of social issues—with
personal relevance happening when the viewer identifies with the protagonist (lead character) or condemns the
antagonist (hostile adversary), and
is the final way that relevance influences the reaction to horror.
Unrealism—though horror entertainment has become more and more
graphic in recent years, viewers realize that what they are watching is
fake—movies and television shows feature elements like camera angles,
soundtracks and even humor, all of which send cues to viewers that what they’re
watching is intended to entertain—all of which means that horror films and
television shows that incorporate these factors are more appealing to viewers.
These three primary factors—tension-relevance-unrealism—comprising
horror movies and television programmes can only be successful when they are
contained within the boundaries of what is known as the “three-act structure”—that
is the model used in narrative fiction that divides a story into three parts
(acts) called:
The Setup—establishes the main characters, their relationships
and the world they live in and contains a dynamic, on-screen incident occurs
that confronts the main character (the protagonist), whose attempts to deal
with this incident lead to a second and more dramatic situation, known as the
first turning point, which (a) signals the end of the first act, (b) ensures
life will never be the same again for the protagonist and (c) raises a dramatic
question that will be answered in the climax of the film.
The Confrontation—depicts the protagonist's attempt to resolve the
problem initiated by the first turning point, only to find themselves in ever
worsening situations—with part of the reason protagonists seem unable to
resolve their problems is because they do not yet have the skills to deal with
the forces of antagonism that confront them, so they must not only learn new
skills but arrive at a higher sense of awareness of who they are and what they
are capable of, in order to deal with their predicament, which in turn changes
who they are—this is referred to as character development or a character arc,
and cannot be achieved alone and they are usually aided and abetted by mentors
and co-protagonists.
The Resolution— the
ending of the story and its subplots where the climax is the scene or sequence
in which the main tensions of the story are brought to their most intense point
and the dramatic question answered, leaving the protagonist and other
characters with a new sense of who they really are.
Now that you know that the primary human
influencers of “Tension-Relevance-Unrealism” contained with a structure of “The
Setup-The Confrontation-The Resolution” are the ingredients of what
makes up a horror movie and television programme, please allow me to inform
those of you who don’t already know, that this is, also, THE EXACT script you see and hear every day masquerading as NEWS!
There have been a gazillion scientific
articles written over the past thirty years discussing and debating exactly
when it was that the mainstream American
media establishment quit reporting factual news and became an entertainment
industry—with the main consensus among them being that this was done because
the major news organizations were losing money hand-over-fist, and the only way
they were ever going to earn a profit was to morph themselves into becoming
entertainment—complete with heroes and villains, and never-ending plot lines
that would keep their viewers addicted to what new horrors would come next.
This bastardizing of true facts, historical
significance and context for understanding actually has name—infotainment—that
combines news with entertainment and is dangerous for several
different reasons—the first being
that the media loses credibility (think “fake news”)—the second is
that viewers start to focus more on the entertainment aspect instead of the
information aspect and thus start to view the news only as a form of
entertainment—and the more the public views the news to be entertainment, the
more the media has to meet the demands, thus displaying more and more
infotainment to meet the public’s needs.
And, on 16
June 2016, jumping straight into this “infotainment maelstrom”
masquerading as news was New York City
real estate multi-billionaire mogul Donald
Trump—and who, before practically anyone else noticed what he was doing (the Sisters, of course, being one of the lone exceptions) completely took it over with his own Tension-Relevance-Unrealism
horror movie script—and whose Setup- Confrontation-Resolution real
life three-act play produced the most shocking climax in infotainment history
when he astoundingly became President of
the United States.
Like the Sisters,
too, who knew exactly what Trump was
doing, so did some of the most powerful people in Hollywood—including mega-producer Mike Fleiss, creator of “The Bachelor” and “Who
Wants to Marry a Multimillionaire?”, helped pioneer reality television
in the early 2000’s, and quickly realized that for any show to work, the audience
needed to feel invested—“Whenever
you’re developing one of these shows, you have to find stakes — true love or a
million dollars.”—and who these days sits
glued to cable news (just like American
TV viewers are doing in record numbers)
watching a panel of experts discuss the latest developments in the sprawling,
intricate, unpredictable 24/7 show that
is Donald Trump’s presidency—and his
saying: “This is
the future of the world and the safety of mankind and the health of the planet…I should’ve thought of that one!”
Having so many plot twists one can never be
certain if their sanity is going to be able to be kept intact, but whose eyes
one can NEVER turn away from this production of a real life “American
Horror Story” so as not miss what new tragedy or calamity will happen
next, and whose cast of characters in this three-act play now numbers in the
thousands—with the latest character addition being a “loose
cannon” former male stripper on steroids named Cesar Altieri
Sayoc.
Cesar
Altieri Sayoc, as you all know by now,
is the character just introduced as the “mad bomber” who targeted Trump enemies—but who told
investigators that the pipe bombs he made wouldn’t have hurt anyone and that he
didn’t want to hurt anyone—drove a van festooned with Trump supporting parapanalia, but on whose
Twitter page didn’t follow Trump or any Republican, with his choosing instead to only follow left-wing and Democrat personalities—whose nearly
30-year felonious criminal record defies explanation as to why he has only
served 7-days for crimes he should still be in prison for, and as only seen in FBI informants—and who sympathy for
is now being requested by his
“family
attorney” who told CNN that Sayoc “found a father figure in Trump”—that
has left me wondering how Sayoc even
knew his “family attorney” Ronald S. Lowy as he is the
founding partner of one of the most powerful and expensive law firms in Miami-Florida named Lowy and
Cook, P.A. that represents
one of Florida’s most notorious
developers named Russell Galbut.
Twitter
page (above) of Cesar Altieri Sayoc shows he only followed left-wing and
Democrat personalities
As with all of the characters introduced into
this real life American Horror Story
drama, the role Cesar Altieri Sayoc
will ultimately play remains unknown as it’s shrouded in too many mysterious
contradictions and nefarious connections to figure out—but that actually isn’t
that important to know at this time as his sole purpose was to introduce a “meme”—that is an idea,
behavior, or style that spreads from person to person within a culture—often
with the aim of conveying a particular phenomenon, theme, or meaning
represented by the meme.
Memes act as cultural analogues to genes in that they
self-replicate, mutate, and respond to selective pressures, and that the
infotainment industry is the main generator of—with this present one being that
“All
Trump supporters are mad bombers”, and past examples including “Trump
colluded with Russia”, “Trump followers are a cult”, “Trump
is a sexual predator”, and, of course, “Trump is a racist”, to
just name a few.
Memes, also, don’t have to be supported by either facts or
truth, as they only need to be generated and widely spread to do their most
damage, such as when NBC
News deliberately kept hidden from the American people information that undermined the credibility
of an accuser of Judge Brett Kavanaugh—that if known would have
destroyed the “Kavanaugh is a sex predator” meme.
My reason in educating all of you about this
today is so you can better understand exactly what the Sisters do—and can be best understood by your viewing their
work as being “meme destroyers”.
From the very moment a mainstream media
infotainment meme is generated, the Sisters
immediately dissect it to discover the propaganda component it contains—and
once discovering the lie being perpetrated, counter it with an opposite meme
containing the truth—both of which then compete for survival in the minds of
readers.
These truth containing counter memes like the
Sisters create are labeled by the mainstream media
infotainment establishment as “conspiracy theories”—a label they
have come to realize isn’t powerful enough anymore to keep truth memes from
reaching the masses of peoples wanting to know more information—and is why
they’ve switched their attacks to just destroying anyone who sends out truth
memes entirely.
Like all of you know too, the Sisters have warned, for nearly 20-years, anyone who would
listen not to EVER associate with
social media—such as Google, Facebook, Twitter, etc.—as they knew that the main purpose behind them was to
capture as many alternative news sites they could, make them dependant upon them,
and then extinguish them.
In practical terms, therefore, that makes the
Sisters entirely dependant upon YOU—with
their placing their faith in believing that there are many of you who still
want to know the truth, the history behind events, have things told to them
like adults instead of children, are prepared to accept facts and follow them
wherever they might lead, and, most importantly, have awaken to the fact that
they are in a war whose outcome will affect everything and everyone for
generations to come.
As a critical partner in this monumental
endeavor for truth and freedom, and as Sister
Ciara so elegantly pointed out to you
yesterday, I would hope that you will come to the realization
that unless you stop standing on the sidelines of this war and start supporting
those who are fighting for you all will be lost—and to keep from happening is
as simple as your going below and giving what you can so that our tomorrow will
be better than today—and we can all watch together how this movie ends!
Thank you for listening and aiding us in our
hour of desperate need, and, as always too, please feel free to write me at [email protected] with any
comments/questions/suggestions, and remembering to put ATTN: BRIAN in the subject line.
All the best
folks,
Brian
Webmaster
Fr.